Join Ann Fogler as she performs the enchanting role of Leila and serves as Cover for Iolanthe in Gilbert & Sullivan’s beloved fantasy operetta Iolanthe with the Young Victorian Theatre Company in Baltimore. Blending sparkling wit, memorable melodies, and a whimsical tale of fairies, peers, and politics, Iolanthe remains one of Gilbert & Sullivan’s most charming and enduring works.

Join Ann Fogler as she performs the enchanting role of Leila and serves as Cover for Iolanthe in Gilbert & Sullivan’s beloved fantasy operetta Iolanthe with the Young Victorian Theatre Company in Baltimore. Blending sparkling wit, memorable melodies, and a whimsical tale of fairies, peers, and politics, Iolanthe remains one of Gilbert & Sullivan’s most charming and enduring works.

Join Ann Fogler as she performs the enchanting role of Leila and serves as Cover for Iolanthe in Gilbert & Sullivan’s beloved fantasy operetta Iolanthe with the Young Victorian Theatre Company in Baltimore. Blending sparkling wit, memorable melodies, and a whimsical tale of fairies, peers, and politics, Iolanthe remains one of Gilbert & Sullivan’s most charming and enduring works.

Join Ann Fogler as she performs the enchanting role of Leila and serves as Cover for Iolanthe in Gilbert & Sullivan’s beloved fantasy operetta Iolanthe with the Young Victorian Theatre Company in Baltimore. Blending sparkling wit, memorable melodies, and a whimsical tale of fairies, peers, and politics, Iolanthe remains one of Gilbert & Sullivan’s most charming and enduring works.

Join Ann Fogler as she performs the enchanting role of Leila and serves as Cover for Iolanthe in Gilbert & Sullivan’s beloved fantasy operetta Iolanthe with the Young Victorian Theatre Company in Baltimore. Blending sparkling wit, memorable melodies, and a whimsical tale of fairies, peers, and politics, Iolanthe remains one of Gilbert & Sullivan’s most charming and enduring works.

Ann Fogler appears in the VAMS Concert at the Opera America Center in New York City, an evening of opera scenes and highlights presented by her management agency. The program will feature a variety of captivating moments from the operatic repertoire, with Ann’s featured roles to be Octavian in the Der Rosenkavalier trio and Stéphano in “Que fais tu blanche tourterelle.”

Ann Fogler takes on the delightful double role of the Squirrel and the Teacup in Bel Cantanti Opera’s presentation of a full evening double bill of one-act operas by Maurice Ravel: the magical L’Enfant et les Sortilèges and the witty, Spanish-flavored L’Heure Espagnole. This special production celebrates the composer’s 150th birthday with two contrasting works—one a fantastical journey of a mischievous child encountering talking animals and enchanted objects, the other a sparkling comedy of love and clockwork set in a Spanish clockmaker’s shop.

Ann Fogler takes on the delightful double role of the Squirrel and the Teacup in Bel Cantanti Opera’s presentation of a full evening double bill of one-act operas by Maurice Ravel: the magical L’Enfant et les Sortilèges and the witty, Spanish-flavored L’Heure Espagnole. This special production celebrates the composer’s 150th birthday with two contrasting works—one a fantastical journey of a mischievous child encountering talking animals and enchanted objects, the other a sparkling comedy of love and clockwork set in a Spanish clockmaker’s shop.

Ann Fogler takes on the delightful double role of the Squirrel and the Teacup in Bel Cantanti Opera’s presentation of a full evening double bill of one-act operas by Maurice Ravel: the magical L’Enfant et les Sortilèges and the witty, Spanish-flavored L’Heure Espagnole. This special production celebrates the composer’s 150th birthday with two contrasting works—one a fantastical journey of a mischievous child encountering talking animals and enchanted objects, the other a sparkling comedy of love and clockwork set in a Spanish clockmaker’s shop.

Ann Fogler takes on the delightful double role of the Squirrel and the Teacup in Bel Cantanti Opera’s presentation of a full evening double bill of one-act operas by Maurice Ravel: the magical L’Enfant et les Sortilèges and the witty, Spanish-flavored L’Heure Espagnole. This special production celebrates the composer’s 150th birthday with two contrasting works—one a fantastical journey of a mischievous child encountering talking animals and enchanted objects, the other a sparkling comedy of love and clockwork set in a Spanish clockmaker’s shop.

This fall, mezzo-soprano Ann Fogler will appear as a featured soloist with the Gettysburg Chamber Orchestra in a moving performance of Gustav Mahler’s Lieder aus “Des Knaben Wunderhorn.” A highlight of the orchestra’s 2025 season, this program showcases Mahler’s richly expressive settings of German folk poetry, known for their emotional depth and vivid storytelling.

This July, join Ann Fogler on stage as she takes on the role of the spirited and sharp-witted Phoebe Meryll in Gilbert & Sullivan’s The Yeomen of the Guard with the Young Victorian Theatre Company. Set in the Tower of London and filled with mystery, romance, and hauntingly beautiful music, this operetta is considered one of the duo’s most dramatic and emotionally rich works.

This July, join Ann Fogler on stage as she takes on the role of the spirited and sharp-witted Phoebe Meryll in Gilbert & Sullivan’s The Yeomen of the Guard with the Young Victorian Theatre Company. Set in the Tower of London and filled with mystery, romance, and hauntingly beautiful music, this operetta is considered one of the duo’s most dramatic and emotionally rich works.

This July, join Ann Fogler on stage as she takes on the role of the spirited and sharp-witted Phoebe Meryll in Gilbert & Sullivan’s The Yeomen of the Guard with the Young Victorian Theatre Company. Set in the Tower of London and filled with mystery, romance, and hauntingly beautiful music, this operetta is considered one of the duo’s most dramatic and emotionally rich works.

This July, join Ann Fogler on stage as she takes on the role of the spirited and sharp-witted Phoebe Meryll in Gilbert & Sullivan’s The Yeomen of the Guard with the Young Victorian Theatre Company. Set in the Tower of London and filled with mystery, romance, and hauntingly beautiful music, this operetta is considered one of the duo’s most dramatic and emotionally rich works.

Ann will perform as the mezzo-soprano and alto soloist in Camille Saint-Saëns' Oratorio de Noël at St. Patrick's Church in Washington, D.C., on December 24, 2024. She is thrilled to bring this festive and moving work to life during the Christmas season.

Ann will be returning to her alma mater as the guest soloist in Dickinson College’s orchestral concert on December 6, 2024. She is delighted to be performing Edward Elgar’s Sea Pictures.

On July 21st, 2024, Ann Fogler and Vincent Trovato will offer a glimpse into their upcoming recital project at the Lehigh Valley Consortium in Pennsburg, PA. This exclusive preview will showcase excerpts from Schumann’s revered song cycle, Frauenliebe und Leben, a timeless journey attempting to delve into the complexities of love and womanhood.

On June 21st, 2024, Ann Fogler and Vincent Trovato will offer a glimpse into their upcoming recital project with Make Music Upper Perk in Pennsburg, PA. This exclusive preview will showcase excerpts from Schumann’s revered song cycle, Frauenliebe und Leben, a timeless journey attempting to delve into the complexities of love and womanhood.

Ann Fogler will be performing as Octavian in Presentation of the Rose, the Final Trio and the Final Duet from Richard Strauss’ Der Rosenkavalier. This is Ms. Fogler’s Austrian and European debut. Tickets can be purchased by following this link.

Ann will be performing the role of Global Hope the world premiere of Francine Trester’s Keepers of the Light with the Nahant Music Festival.

Ann Fogler will be performing “Was seh’ ich hier” from Keiser’s Markus-Passion as a vocal apprentice with the Nahant Music Festival.

Lucio Cornelio Silla, a triumphant Roman general, made short work of his enemies and declared himself Perpetual Dictator of Rome. He set out to quash civic liberties and forced his attentions on the wives and lovers of his subordinates. Not all were willing to bow to his ruthless intent. Handel’s opera drives with passion toward its powerful conclusion.

(Excerpt copy and pasted directly from The Cambridge Chamber Ensemble’s website.)