Ann Fogler will be performing as Octavian in Presentation of the Rose, the Final Trio and the Final Duet from Richard Strauss’ Der Rosenkavalier. This is Ms. Fogler’s Austrian and European debut. Tickets can be purchased by following this link.
Ann will be premiering three songs with Deus Ex Musica. It will be a spiritually inspiring event and it will take place at the center of Boston at Copley Square on June 28, 2019 at Old South Church.
“A unique, interactive event celebrating the beauty, power, and mystery of the Psalms. Featuring world-premiere performances of new psalm settings by composers from around the world, paired with opportunities for fellowship and conversation led by an ecumenical group of Boston clergy. Open to all. Admission is free, but reservations are requested.
Presented by Deus Ex Musica, an ecumenical project that promotes sacred music as a resource for learning, discipleship, and spiritual growth. https://www.deus-ex-musica.com/”
Register for the event: here.
Ann will be performing the role of Global Hope the world premiere of Francine Trester’s Keepers of the Light with the Nahant Music Festival.
Ann Fogler will be performing “Was seh’ ich hier” from Keiser’s Markus-Passion as a vocal apprentice with the Nahant Music Festival.
Lucio Cornelio Silla, a triumphant Roman general, made short work of his enemies and declared himself Perpetual Dictator of Rome. He set out to quash civic liberties and forced his attentions on the wives and lovers of his subordinates. Not all were willing to bow to his ruthless intent. Handel’s opera drives with passion toward its powerful conclusion.
(Excerpt copy and pasted directly from The Cambridge Chamber Ensemble’s website.)
Lucio Cornelio Silla, a triumphant Roman general, made short work of his enemies and declared himself Perpetual Dictator of Rome. He set out to quash civic liberties and forced his attentions on the wives and lovers of his subordinates. Not all were willing to bow to his ruthless intent. Handel’s opera drives with passion toward its powerful conclusion.
(Excerpt copy and pasted directly from The Cambridge Chamber Ensemble’s website.)
Lucio Cornelio Silla, a triumphant Roman general, made short work of his enemies and declared himself Perpetual Dictator of Rome. He set out to quash civic liberties and forced his attentions on the wives and lovers of his subordinates. Not all were willing to bow to his ruthless intent. Handel’s opera drives with passion toward its powerful conclusion.
(Excerpt copy and pasted directly from The Cambridge Chamber Ensemble’s website.)
Jake Heggie’s, one-act opera, To Hell and Back, is a sensitive and beautiful contemporary exploration of abuse, redemption, and empowerment told through the lens of the Ancient Greek myth of the Rape of Persephone. The performance will be followed by a talk-back featuring speakers from the Unitarian Universalist Urban Ministry’s domestic violence safehouse, which will provide resources about how to identify and combat domestic violence for people and relationships within any demographic. 20% of all ticket proceeds will be donated to UUUM’s domestic violence safehouse.
Tickets can be found here.
In order to help you best prepare for the opera, please note that “To Hell and Back” contains sensitive material referencing intimate partner violence.
In Die ägyptische Helena, librettist Hugo von Hofmannsthal asks “What lay between that dreadful night and the complete reconciliation that followed? What can have helped rebuild this marriage as a true companionship?” Richard Strauss’s two-act opera is both an intimate and emotional story about Helen and her husband Menelas. Ten years after Helen left her husband to be with Paris, this opera imagines life after her return home. Or was it a phantom who went to Troy, leaving the beautiful Helen sleeping in Sparta all along? With goddesses, sorceresses, and elves to help spin the tale, will Menelas find forgiveness in his heart for his wife? Come experience this lush and dramatic work, a rare offering by one of opera’s greatest creative teams.
(Excerpt copy and pasted directly from Odyssey Opera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
Be whisked away for a night of champagne and selfies as real-estate power broker Eisenstein delays his prison sentence to attend the party of the season. Watch him embrace and elude the cameras and his wife, and maybe join in on the fun. A night of mad-cap comedy among New York City’s elite will thrill with mistaken identities, long-held grudges and, of course, champagne! This immersive new translation of Strauss’ well-loved Die Fledermaus by Sarah Meyers invites you to snap, tweet, insta and… experience the follies and foibles of this uber wealthy NYC power couple.
Join us for opening night receptions, after the Friday April 5th and Saturday April 6th performances.
(Excerpt copy and pasted directly from MassOpera’s website.)
On January 19, 2019 Ann will be performing the role of The Brother in The Scarlet Ibis, music by Stefan Weisman and libretto by David Cote, with Boston Opera Collaborative. This opera is based on the short story by James Hurst. It is a coming of age story about two brothers, one who is born healthy and normal, and another, Doodle, who is born severely handicapped. As the older, healthy, brother tries to reconcile Doodle’s shortcomings, Brother simply pushes him too far. This story will open your minds and your hearts to youth’s false sense of invisibility and how childhood fears and masculine development can be deadly.
Tickets can be purchased by following this link. Use discount code: BOCMEMBER to receive a 20% discount.
On January 17, 2019 Ann will be performing the role of The Brother in The Scarlet Ibis, music by Stefan Weisman and libretto by David Cote, with Boston Opera Collaborative. This opera is based on the short story by James Hurst. It is a coming of age story about two brothers, one who is born healthy and normal, and another, Doodle, who is born severely handicapped. As the older, healthy, brother tries to reconcile Doodle’s shortcomings, Brother simply pushes him too far. This story will open your minds and your hearts to youth’s false sense of invisibility and how childhood fears and masculine development can be deadly.
Tickets can be purchased by following this link. Use discount code: BOCMEMBER to receive a 20% discount.
